Rating: 5 stars (out of 5)
Polymer Pizzaz is a new publication from Bead & Button magazine that compiles 27 (not 25 as the picture posted on Amazon shows) projects that were published throughout the years in Beat & Button magazine. For those of you who are long-time subscribers of the magazine, you already have these projects in your back issues and can easily access them from your collection. However, those who don’t have access to these back issues are lucky to have this compilation of excellent projects from superb artists.
If you’re familiar with Bead & Button magazine, you know that the articles are well written, the project instructions are highly detailed, and the photography is professional and beautiful. The wonderful thing about this book is that even though some of the articles may be older, the unique techniques detailed in the projects and resulting pieces of jewelry are timeless. For instance, Mike Buesseler has moved on from polymer clay to other arts, but his impact on the creation of metallic Skinner blends and his locket construction live on.
The book’s projects are placed into four categories: Beads, Canes and Chains, Pendants and Faux Techniques. Each of the categories has four to nine projects created by nationally recognized polymer clay artists including Donna Kato, Nan Roche, Sarah Shriver, ChristieFriesen, Deborah Anderson, Grant Diffendaffer, Patricia Kimle, Dotty McMillan and Karen and Ann Mitchell. There is a brief introduction to clays, tools and techniques in the front of the book, but it’s clear that this book focuses on projects for intermediate clayers–not for novices. However, the projects are infinitely approachable and the results are achievable. I took Dotty McMillan’s “Painterly Polymer” painted lentil bead and combined it with Mike Buesseler’s locket construction techniques to create a lovely locket. I still have wonderful left-over painted polymer for use with another project thanks to Dotty’s clear instructions and really simple but effective technique.
I am going on vacation soon, and I think I’ll bring this book with me for inspiration. Every time I look at it, I see more that I can apply to my own work–and that’s one of my hallmarks for a great polymer clay book!